Performance "The Pazos de Ulloa"

Description

The Pazos de Ulloa

By Emilia Pardo Bazán.

Direction: Helena Pimenta.

Considered by many to be one of the greatest Spanish novels of the 19th century, and undoubtedly the main reference within the vast bibliography of Emilia Pardo Bazán, Los Pazos de Ulloa speaks both of rural life in Galicia and of the nobility come down. The theatrical version that we propose focuses on the confrontation between cruelty and desire, passion and love, the rural violence of the caciquil world and the courtesy and good manners of the city SYNOPSIS: The theatrical version that we propose of Los Pazos de Ulloa focuses on the confrontation between cruelty and desire, passion and love, the rural violence of the caciquil world and the courtesy and good manners of the city (Santiago de Compostela). A cacique parade through the work, a curilla with contained passions (such as the famous "The Thorn Bird"), a woman in love ... Regarding the priest in love, Doña Emilia Pardo Bazán coincided with Clarín's famous novel, “La Regenta”, both in a naturalistic style (which, coming from France, marked both the literature of the late nineteenth century with the biological and social determinism of the characters). Don Fermín de Pas, in Clarín, and Don Julián in Pardo Bazán. Two very different priests: the first, corrupt and sure of himself, and the second, insecure, scary and endowed with a generous heart. The latent feminism in "Los Pazos de Ulloa" is due to the very personality of Emilia Pardo Bazán, first female professor at the University of Spain, first female member of the Ateneo de Madrid and the SGAE, founder of magazines, novelist, follower of the naturalistic novel, precedent of the language of Valle Inclán; She is a playwright, essayist, cultural and political chronicler in Madrid in the press of her time, a candidate for academic in the RAE who was not elected because she is a woman.

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